The bottom turtle is the most dimensional, as it is closest to the viewer. The two top ones are less dimensional, to suggest a distance away. A darker Kreinik thread was used in the outline of the bottom turtle, followed by a lighter Kreinik thread for the top 2 turtles, to give the impression that these are closer to the top of the water and thus lighter. This is also known as "I ran out of the dark Kreinik and couldn't find the same thread at the local store". There is a very subtle difference between the outlines of the top 2 turtles: the left one was couched with light tan thread to shade it slightly, and the right one was couched with invisible thread. It is hard to see even on the piece itself, hopefully just giving a suggestion of one being lighter than the other.
Bottom turtle - most dimensional and darkest:
Top right turtle - least dimensional and lightest - he is heading towards the light!
The next step is the background. After Laura Smith's lecture on "Skin of Venus, The Subtle Power of the Background" I want to make sure that the background enhances the foreground, and not overpower it...
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